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Showing posts with label Laura Frantz. Show all posts
Showing posts with label Laura Frantz. Show all posts

Monday, September 5, 2016

Nashville, Reader's Retreat, Writing Conference, Book Release Party & Labor Day

It's been a whirlwind two weeks. Thirteen days ago I left my home in Minnesota and flew to Nashville, Tennessee where I attended the first Christian Fiction Reader's Retreat (CFRR). There, I met several readers and writers, visited with old friends, snapped pictures with some of my favorite authors (Carrie Pagels included!), and shared my heart and love for writing.


One of the many highlights was meeting Laura Frantz in person. She's been a long-time favorite of mine and getting a hug from her was something I had looked forward to for four years.


It was fun to sign books, participate in an author panel discussion, and dress up in a Edwardian Era gown. Bravo to Carrie Booth Schmidt, Annie JC, and Bonnie Roof for their hard work and dedication to bringing CFRR into reality.


After CFRR, I attended the 2016 ACFW Conference. There, I sat in workshops, listened to the keynote speaker, Ted Dekker, visited with friends old and new, and met with my editor. ACFW is a yearly highlight for me, and this year it was especially fun to be in Nashville. On the last day, I rode the trolley around town with two of my writer friends and we saw all the sights. We also visited the Country Music Hall of Fame Museum and saw some amazing memorabilia.



I flew home and had one day to clean my house and go shopping, then I returned to the airport and picked up Alena Tauriainen and Lindsay Harrel (and Lindsay's son, Elliott). They came to help me prepare for my release party and stay on for a brainstorming retreat afterward at my house.


My debut novel, A Mother in the Making, released on Thursday, September 1st and I was privileged to have a release party at a historic estate in my hometown. Dozens and dozens of people attended, so many so, I wasn't able to get to all of them! I tried to visit with everyone, but unfortunately, I missed a few. It was fun to read a scene from the book and then answer questions about my writing, about my book, and about the history of my hometown (where the book is set). After that, I signed more books. It was an incredible night.


A Mother in the Making

After the party, Melissa Tagg and Susan May Warren came to my house and we visited, brainstormed Susie's next series of books, and enjoyed lots of laughter. Susie went home the next day, but Melissa stayed with Alena, Lindsay, and me and we relaxed, had a campfire, went to a movie, visited local sites, and brainstormed more stories. We also took the boat onto the Mississippi and spent several hours relaxing in the water.


Everyone went home yesterday and today I'm catching up on all my work! I loved the past two weeks, but I'm eager to jump back into my writing and switch gears as school starts tomorrow for all my children. Autumn is upon us, and with it, many more memories to be made.

Happy Labor Day! I hope you've had a marvelous summer and I look forward to hearing what you have planned for the upcoming fall months.

Gabrielle Meyer
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Monday, September 10, 2012

Laura Frantz and Joan Hochstetler - Tea Party - and giveaway!

This week on Colonial Quills we're celebrating the release of Love's Reckoning and Crucible of War with authors Laura Frantz and Joan Hochstetler!

Love's Reckoning by Laura Frantz
Publisher: Revell

On a bitter December day in 1784, Silas Ballantyne arrives at the door of blacksmith Liege Lee in York County, Pennsylvania. Liege endeavors to keep him in Lancaster by appealing to an old tradition: the apprentice shall marry one of his master's beautiful daughters. Which one will claim Silas's heart--In this sweeping family saga, one man's choices in love and work, in friends and enemies, set the stage for generations to come. This is the Ballantyne Legacy.


Crucible of War by J.M. Hochstetler
Crucible of War
J.M. Hochstetler
Publisher: Sheaf House

When she returns to New York, Elizabeth Howard is drawn ever deeper into the intrigues that swirl around British General William Howe. Brigadier General Jonathan Carleton is transferred to Gates's army in the upper Hudson Valley where his old nemesis, British General Burgoyne closes in on Saratoga. With decisive battles looming on both fronts, Elizabeth and Carleton face a crucible of war that tests their mettle, faith, and the very limits of their love.


Please join us in celebration of these two releases at the Golden Plough Tavern in York, Pennsylvania. And if you like, come in one of the characters from either book, or someone from the American Revolutionary period.




Golden Plough Tavern Placard




Enjoy the delectable treats offered at the cozy Golden Plough Tavern; twice as delicious when served on these beautiful dishes!


GIVEAWAYS:  Leave a comment and your email to be entered in this week’s contest.   Winners' choice of choice of format* for a copy of  Love's Reckoning and Crucible of War. Void where prohibited by law. *International winners will only receive the book in ebook format not as a paperback. Drawing for books will be Tuesday evening 9-11-12.  


An 11"x17" print of "Rose and Lantern" by Pat Iacuzzi will also be given away. 


"Rose and Lantern"
Copyright: Patricia Iacuzzi 2012


And a lovely colonial pocket, filled with soaps from Colonial Williamsburg, will be given away. These latter two gifts will be drawn late Saturday 9-14-12 (winners within the United States, only, for these two gifts.)

WELCOME to our Colonial Quills Tea Party for these two lovely ladies, who helped get the Colonial American Christian Writers started, two years ago!  





Monday, August 27, 2012

Guest Diana Flowers Reviews Laura Frantz's "Love's Reckoning"


Love's Reckoning by Laura Frantz

Love's Reckoning 
(Revell, 2012)
5 stars~ *****
Riveting Historical Fiction!
In Love's Reckoning, Laura Frantz has penned a gripping, literary saga of the Ballantyne Legacy--a legacy that begins with lies, deceit, and treachery, but ends with what many waters cannot quench--an undying love that knows no bounds.
Silas Ballantyne has come to York, Pennsylvania, to finish out his remaining time of apprenticeship under the tutelage of master blacksmith, Liege Lee. Liege insists that Silas marry one of his two beautiful daughters, with the underlying motive of having a second man of such talent working with him at the forge to obtain more wealth. Silas, carrying deep, hidden wounds from his native Scotland, only wishes to finish out his time and move west to Fort Pitt, and has no desire for a wife.
Eden and Elspeth Lee are as different as night and day; Eden with a quiet, gentle spirit, and beautiful Elspeth, who is plucky, seductive, and has a great head for business. Both feel drawn to the handsome, new apprentice, and soon jealousy and manipulation begins to rear its ugly head. Unbidden secrets come to the surface as both sisters fight for the man they love, but will Silas fulfill his dream and leave them both behind?...or will he finally find love and healing for his tormented soul? And when one of the sisters finds herself in terrible danger, that threatens to tear her very soul asunder, will her chance at love be lost forever?
Laura Frantz has done it again! This story is a literary masterpiece, that left me feeling almost unworthy to review. As in all of Ms. Frantz's books, there is that element of uncertainty...how can there ever be a happy ending here, or will there be one? With realistic characters, and a spiritual thread throughout this is a must read for all historical fiction lovers! I literally cried all the way (happy and sad tears) throughout this book, so be sure to keep the tissues handy. With its many twists and turns that Laura is so well known for, and a marvelous surprise conclusion, this is definitely one for your keeper shelf! Oh, and I almost forgot to mentioned the swoonworthy romance scenes that left me covered in goosebumps! 

Very nicely done--again, Laura Frantz!

Bio: Diana L. Flowers is the Senior Reviewer on Overcoming Through Time - With God's Help. Diana has shared many of her wonderful reviews with the Colonial Quills staff. Thank you Diana!!!

GIVEAWAY:  Leave a comment and your email to be entered in this week’s contest.  Drawing will be late Saturday.  Your choice of Laura's books, choice of format*. Void where prohibited by law. *International winners will only receive the book in ebook format not as a paperback.


Thursday, August 23, 2012

When Congress Fled

Today it’s hard for us to think of the possibility that our government might ever be forced to flee before an approaching enemy force. But this has, in fact, happened several times in our history, and the first was during the American Revolution.

Delegates to the Second Continental Congress—which after the passage of the Declaration of Independence became the Congress of the fledgling United States—met at the Pennsylvania State House in Philadelphia, now known as Independence Hall. In the fall of 1776, the British drove Washington’s battered army out of New York, all the way across New Jersey to Trenton, and finally, in early December, across the Delaware River into Pennsylvania. Terrified that British General William Howe would pursue Washington across the Delaware and push all the way to Philadelphia, residents of the city began to flee in panic, and on December 12, Congress also evacuated.

On December 20, the delegates reconvened at the Henry Fite House in Baltimore, Maryland, where they remained until late February 1777. The largest building in Baltimore at the time, the Fite House was originally built as a tavern in 1770 and eventually burned down in 1904. During its brief use by Congress, it became known as Congress Hall and later as Old Congress Hall. Thus Baltimore became the nation’s capital for a two-month period. While meeting here on December 27, 1776, Congress conferred upon George Washington “extraordinary powers for the conduct of the Revolutionary War,” making him essentially a military dictator. Thankfully he proved to be worthy of their trust by always deferring to Congress’s control.

Instead of attacking Philadelphia, however, Howe settled into winter quarters, and Congress returned to the city on March 4, 1777. They continued to meet at the Pennsylvania State House until September 19, 1777, after Washington’s defeat at Brandywine Creek, which left Philadelphia once again vulnerable to British attack. In book 4 of my American Patriot Series, Crucible of War, I included the scenes of panic that took place while the American and British armies essentially played a chess match, while Howe progressively tightened the noose around Philadelphia. I was delighted to find a number of eyewitness accounts of those tense days to lend accuracy and vividness to my descriptions.

According to an account by loyalist resident Sarah Fisher, “ . . . two nights ago the city was alarmed about two o’clock with a great knocking at people’s doors & desiring them to get up, that the English had crossed the Swedes ford at 11 o’clock & would presently be in the city. . . . wagons rattling, horses galloping, women running, children crying, delegates flying, & altogether the greatest consternation, fright & terror that can be imagined. Some of our neighbors took their flight before day, & I believe all the Congress moved off before 5 o’clock, but behold when morning came, it proved a false alarm. The English had only made their appearance opposite the Swedes ford, & some of our people whose fears had magnified it into a reality that they had crossed brought the alarm to town, & terror & dismay spread itself amongst them. Thus the guilty fly when none pursue.”

On the patriot side, congressional delegate John Adams wrote that “At 3 this Morning [September 19] was waked by Mr. Lovell, and told that the Members of Congress were gone, some of them, a little after Midnight. That there was a letter from Mr. Hamilton Aid de Camp to the General, informing that the Enemy were in Poss[essio]n of the Ford and the Boats, and had it in their power to be in Philadelphia, before Morning, and that if Congress was not removed they had not a Moment to loose. Mr. Merchant and myself arose, sent for our Horses, and, after collecting our Things, rode off after the others.”

On September 27 Congress convened at the courthouse in Lancaster, Pennsylvania, then removed to York, Pennsylvania, where they held their first meeting at the courthouse on September 30. In November, Congress approved the Articles of Confederation at York and submitted them to the States for ratification. The Articles went into effect on March 1, at which time Congress became the Congress of the Confederation. After the British withdrew from Philadelphia in June 1778, Congress reconvened at College Hall in Philadelphia on July 2 before once more making their home at the State House.

Considering the internal strife taking place in so many countries today, the United States has experienced very few disruptions of our government due to war since our inception. We truly have been extraordinarily blessed to have God’s hand of protection over us, and I pray that this nation will never turn away from the One who has given us such favor.

Now, since I inadvertently posted a day late, I’m offering a surprise drawing for those who stop by to comment. I just received my first copies of Crucible of War a couple of days ago, and those who make a comment on this post will be entered in a drawing for a free copy! The ebook edition is already available, but the print edition doesn’t release until September 3. You have until Friday at midnight to leave a comment, and please specify whether you’d like the ebook edition (Kindle, Nook, or CBD) or the print edition.

Monday, August 20, 2012

Pre-release giveaway for Love's Reckoning!

It's wonderful to be celebrating a new release with readers here and give a behind the pages look at this book. Thanks so much for joining me! If you'd like to be in the giveaway for a signed, first edition copy of Love's Reckoning, please leave a comment below with your email address! 

Here are a few questions readers have asked about the book:

How did the idea for Love's Reckoning come to you?
I stumbled upon a bit of research that said gunsmith apprentices in Kentucky were expected to marry the master gunsmith's daughter. I was so intrigued by this and added a bit more angst to that fact by having two daughters. Both fall in love with the same man and he has to choose between them.

What research did you do for the novel?
I traveled to Pennsylvania and spent time in Philadelphia (the old city) and also Pittsburgh, both of which figure in this story. And I relied on a great many research books to add depth and authenticity.

How did you choose your character names?
Eden is much like her name - lovely and lush. Elspeth sounds a bit mischievous which fits her personality and was also very common to that time period. Silas, of course, is Biblical and sounds strong and manly, appropriate for a blacksmith. Ballantyne, his surname, is an old Scots name that isn't very common but sounds gallant, or so I hope!

Who is the cover designer and model?
Brandon Hill from Seattle. He's a remarkable designer/photographer who has created quite a few CBA and ABA covers. I'm so thrilled with his work. He's very hands on and even sent me via Revell a portfolio of period dresses and bonnets to choose from.

Is this book part of a series or a stand-alone novel?
This is the first book in a 4 book series spanning 100 years of 4 generations of the Ballantyne family.

Do you have a favorite character or scene?
I'll admit I am smitten with Silas but I tend to do that with all my heroes! As for a favorite scene, I love, love, love Chapter 32. But no spoilers for you:)!

Do you have any other questions about Love's Reckoning?
I'll be happy to answer them!

Please leave a question/comment below with your email address if you'd like to be entered in the giveaway! Thanks!






Monday, July 2, 2012

The Frontiersman's Daughter by Laura Frantz - Great Read for July 4th!!!



Laura Frantz is the author of The Frontiersman's Daughter, Courting Morrow Little, and The Colonel's Lady (click here to purchase) and credits her grandmother as being the catalyst for her fascination with Kentucky history. Frantz's ancestors followed Daniel Boone into Kentucky in the late eighteenth century and settled in Madison County, where her family still resides. Laura's upcoming release is titled "Love's Reckoning" and releases September 1, 2012.

"Family, faith, and friendships, and the intricacies of a woman's yearning heart are finely mixed ingredients in The Frontiersman's Daughter, a story as healing as Lael's herbs. You'll disappear into another place and time and be both encouraged and enriched for having taken the journey."--Jane Kirkpatrick

One woman searches for love--and herself--in a wild land.

Lovely but tough as nails, Lael Click is the daughter of a celebrated frontiersman. Haunted by her father's former captivity with the Shawnee Indians, as well as the secret sins of her family's past, Lael comes of age in the fragile Kentucky settlement her father founded. Though she faces the loss of a childhood love, a dangerous family feud, and the affection of a Shawnee warrior, Lael draws strength from the rugged land she calls home, and from Ma Horn, a distant relative who shows her the healing ways of herbs and roots found in the hills. But the arrival of an outlander doctor threatens her view of the world, God, and herself--and the power of grace and redemption.


Chapter One

Kentucke, Indian Territory, 1777

In the fading lavender twilight, at the edge of a clearing, stood half a dozen Shawnee warriors. They looked to the small log cabin nestled in the bosom of the greening ridge, as earthy and unassuming as the ground it sat upon. If not for the cabin’s breathtaking view of the river and rolling hills, arguably the finest in the territory, most passersby would easily dismiss such a place, provided they found it at all. The Indians regarded it with studied intent, taking in the sagging front porch, the willow baskets and butter churn to one side, and the vacant rocking chair still astir from the hurry of a moment before. Six brown bodies gleamed with bear grease, each perfectly still, their only movement that of sharp, dark eyes.

Inside the cabin, Ezekial Click handed a rifle to his son, Ransom, before opening the door and stepping onto the porch. His wife, Sara, took up a second gun just inside. A sudden breath of wind sent the spent blossoms of a lone dogwood tree scurrying across the clearing. From the porch, Click began speaking in the Shawnee tongue. Slowly. Respectfully. A smattering of Shawnee followed—forceful yet oddly, even hauntingly, melodic.

Sara and Ransom darted a glance out the door, troubled by every word, yet the unintelligible banter continued. At last, silence came. And then, in plain English, one brave shouted, “Click, show us your pretty daughter!”

Within the cabin, all eyes fastened on the girl hovering on the loft steps. At thirteen, Lael Click was just a slip of a thing, but her oval face showed a woman’s composure. Her pale green eyes fastened on her father’s back just beyond the yawning door frame.

She put one cautious foot to the floor, then tread the worn pine boards until she stood in her father’s shadow. She dared not look at her mother. Without further prompting she stepped forward into a dying shaft of sunlight. A sudden breeze caught the hem of her thin indigo shift and it ballooned, exposing two bare brown feet.

The same brave shouted, “Let down your hair!” She hesitated, hearing her mother’s sharp intake of breath. With trembling hands she reached for the horn combs that held back the weight of fair hair. Her mane tumbled nearly to her feet, as tangled and luxuriant as wild honeysuckle vine.

Woven in with the evening shadows was a chorus of tree frogs and katydids and the scent of soil and spring, but Lael noticed none of these things. Beside her, her father stood stoically and she fought to do the same, remembering his oft-repeated words of warning: Never give way to fear in an Indian’s sight.

Softly she expelled a ragged breath, watching as each warrior turned away. Only the tallest tarried, his eyes lingering on her as she swept up her hair with unsteady hands and subdued it with the combs.

At last they were gone, slipping away into the wall of woods. Invisible but ever present. Silent. Perhaps deadly.


*****

Evening was a somber affair, as if the Shawnee themselves had stayed for supper. To Lael, the cold cornbread and buttermilk that filled their wooden bowls seemed as tasteless as the cabin’s chinking. Somehow she managed a sip of cider and a half-hearted bite now and then. Across from her, her mother managed neither. Only her younger brother Ransom ate, taking his portion and her own, as if oblivious to all the trouble.

Looking up, she saw a hint of a smile on her father’s face. Was he trying to put her at ease? Not possible. He sat facing the cabin door, his loaded rifle lounging against the table like an uninvited guest. Despite his defensive stance, he seemed not at all anxious like her ma but so calm she could almost believe the Indians had simply paid them a social call and they could go on about their business as if nothing had happened.

He took out his hunting knife, sliced a second sliver of cornbread, then stood. Lael watched his long shadow fall across the table and caught his quick wink as he turned away. Swallowing a smile, she concentrated on the cabin’s rafters and the ropes strung like spider webs above their heads. The sight of her favorite coverlet brought some comfort, its pattern made bright with dogwood blossoms and running vines. Here and there hung linsey dresses, a pair of winter boots, some woolen leggins, strings of dried apples and leather-britches beans, bunches of tobacco, and other sundry articles. Opposite was the loft where she and Ransom slept.

The cabin door creaked then closed as Pa disappeared onto the porch, leaving her to gather up the dirty dishes while her mother made mountain tea. Lael watched her add sassafras roots to the kettle, her bony hands shaking.

“Ma, I don’t care for any tea tonight,” she said.

“Very well. Cover the coals, then.”

Lael took a small shovel and buried the red embers with a small mountain of ash to better start a fire come morning. When she turned around, her ma had disappeared behind the tattered quilt that divided the main cabin from their corner bedroom. Ransom soon followed suit, climbing the loft ladder to play quietly with a small army of wooden soldiers garrisoned under the trundle bed.

Left alone, she couldn’t stay still, so taut in mind and body she felt she might snap. Soon every last dish and remaining crumb were cleaned up and put away. With Ma looking as though she might fall to pieces, Lael’s resolve to stay grounded only strengthened. Yet she found herself doing foolish things like snuffing out the candles before their time and pouring the dirty dishwater through a crack in the floor rather than risk setting foot outside.

The clock on the mantle sounded overloud in the strained silence, reminding her the day was done. Soon she’d have to settle in for the night. But where was Pa? She took in the open door, dangerously ajar, and the fireflies dancing in the mounting gloom. She sighed, pushed back a wisp of hair, and took a timid step toward the porch.

How far could an Indian arrow fly?

Peering around the door frame she found Pa sitting in the same place she’d found him years ago that raw November morning after his escape from the Shawnee. They had long thought him dead, and indeed all remnants of his life as a white man seemed to have been stamped out of him. His caped hunting shirt was smeared with bear grease, his deerskin leggins soiled beyond redemption. Except for an eagle-feathered scalp lock, his head was plucked completely clean of the hair that had been as fair as her own. Savage as he was, she’d hardly recognized him. Only his eyes reminded her of the man she once knew, their depths a wild, unsurrendered blue.

Tonight he was watching the woods, his gun across his knees, and his demeanor told her he shouldn’t be disturbed. Without a word she turned and climbed to the loft where she found Ransom asleep. There, in the lonesome light of a tallow candle, she shook her hair free of the horn combs a second time.

The shears she’d kept hidden since the Shawnee departed seemed cold and heavy in her hand, but her unbound hair was warm and soft as melted butter. She brought the two together, then hesitated. Looking down, she imagined the strands lying like discarded ribbon at her feet.

A sudden noise below made her jerk the scissors out of sight. Pa had come in to collect his pipe. Her sudden movement seemed to catch his eye.

“You’d best be abed, Daughter,” he called over his shoulder, his tone a trifle scolding.

She sank down on the corn-husk tick, losing the last of her resolve, and tucked the scissors away. If she changed her mind come morning, they’d be near. Catlike, she climbed over the slumbering body in the trundle bed beneath her, surprised that a seven-year-old boy could snore so loud.

The night was black as the inside of an iron skillet and nearly as hot. She lay atop the rustling tick, eyes open, craving sleep. The night sounds outside the loft window were reassuringly familiar, as was her brother’s rhythmic breathing. All was the same as it had ever been but different. The coming of the Indians had changed everything.

In just a few moments’ time the Shawnee had thrown open the door to Pa’s past, and now there would be no shutting it. She, for one, didn’t like looking back.

Now translated into Dutch, also!!!

GIVEAWAY: A copy of Laura's latest release "The Colonel's Lady" also set during the American Revolution.  For US readers only.  Leave a comment and your email address to enter!

Monday, June 11, 2012

The Legacy of Deer Run Review

.
The year was 1800.


A young man makes weapons for the defense of America, still a fledgling nation. He also protects his heart from the allure of a young woman who seems so far above his station in life that he cannot win her. The lady fights her own war against loneliness and grief. Despite her finery and airs, she is drawn to the young armory worker who is distant yet disarming. 


Love is not the only entanglement. The nation's enemies are afoot. They creep within the very walls where America's defenses are being forged. Who are they? When will they strike? Who will survive their terrorism?


Intrigue of the heart and intrigue of the times are only part of this compelling story - Book 3 of the Deer Run Saga. This series finale is a gripping mix of romance and deception, faith and forgiveness, transgression and trial.


The back cover copy for The Legacy of Deer Run  by author Elaine Marie Cooper is among the best I've ever read, whetting the reader's historical appetite without any spoilers, even withholding the characters' names and making the reader long to discover them. Though this novel is best appreciated when read as a part of the series, each book stands alone beautifully and doesn't leave the reader feeling something is amiss.

The strengths of this third and final novel are many: a large, colorful cast of characters. Sizzling romantic encounters. Sound spiritual truths. The early American period springs to life with rich detail and authentic period language on every page. Cooper paints a vivid picture of the repercussions of unforgiveness and unwed pregnancy in a third generation, handling these subjects with sensitivity and skill. If you've read The Road to Deer Run and The Promise of Deer Run and fear you'll miss these characters in book 3, rest assured they are finely woven within this finale and have a strong thread all their own. I heartily recommend this historical and look forward to learning what the author is working on next...






Elaine Marie Cooper is the author of The Road to Deer Run (Finalist in Next Generation Indie Book Awards for Religious Fiction, Honorable Mention in Romance at 2011 Los Angeles Book Festival) and The Promise of Deer Run (Romance Winner for 2012 Los Angeles Book Festival, Finalist in Religious Fiction for Foreward Review Book of the Year). Cooper is also a contributing writer for Fighting Fear: Winning the War at Home by Edie Melson.

Giveaway: Elaine is giving away a copy of her new book to one of our CQ readers.  Leave a comment for a chance to be entered!


Wednesday, March 28, 2012

Historical Fiction Covers

When I first began writing seriously way back in the 1970's, there was very little Christian fiction available other than Janette Oke's prairie romances. Since then the CBA market has exploded and readers now have a huge array of books in many genres to choose from. Cover art has also grown tremendously over the years, becoming more sophisticated and varied over time. Trends for covers are ever-changing as you can see from the montage above even in the brief time frame I've been published. I think cover art is the best part of publishing but realize each of us have very different cover preferences. Right now for historical fiction, a woman in the foreground seems very popular.


Each publisher has a different process for covers so I'll speak to Revell's specific direction. More than a year before the manuscript is submitted to my publishing house, Revell's marketing team sends me a detailed questionaire as to cover direction. I'm able to provide a lot of input, samples of period dress, color preferences, background scenery, and other variables - my vision of what that "dream cover" might look like.

My publisher then partners with a designer to achieve a cover that "pops" in industry lingo. This time, for Love's Reckoning, the designer sent round a portfolio of 18th-century gowns and hats to choose from. I was able to select my favorites. The model the designer chose, based on how my heroine looks in the novel in terms of hair color and age, dressed in this period gown for the photo shoot. Many, many different shots and poses are taken in order to achieve the right look.

At this point, cover direction becomes somewhat of a mystery to me. The designer and publisher work together to create a final cover with the right color scheme, background elements, font, and more to strike the right tone of the story and give readers a glimpse of what's between the pages. Sometimes publishers get this right and sometimes they don't. I think the covers here for Catherine, Ruth, and Carla and co-authors are very well done. They make me long to read the books! And that is just what cover art is intended to do:)

Are there any upcoming books releasing this year that have stellar covers to you? What would your dream cover look like?


Wednesday, December 14, 2011

Christmas for The Colonel's Lady

The final chapter of The Colonel's Lady is a Christmas scene. There's something about ending a novel right then that is somewhat magical and contributes to the requisite happy ending. I had such fun covering Fort Endeavor and the stone house with snow, decorating everything with greenery and candlelight even down to the scent of gingerbread. Even if it was only on the page!

After reading the novel, one of my dear readers said, "I'm so glad you made Roxanna a kitchen diva!" She loved the food details throughout the book and was particularly intrigued by spoonbread and cherry bounce, true colonial fare.

While researching, I paid close attention to cookbooks and menus from that time, especially the fare at Mount Vernon, City Tavern in Philadelphia, and other historic places. Since I grew up on spoonbread, I was delighted to find it was a favorite recipe back then. If you haven't had it, it's a wonderful blending of a souffle and cornbread. Drench it with butter and you'll probably be a lifelong fan!

One of favorite sources is The Art of Cookery Made Plain and Easy by Hannah Glasse (1708-1770).

Here's a Christmas menu of the day:

Holiday egg nog, Virginia ham, beaten biscuits, corn pudding, chicken and oyster pie, pumpkin chips, cucumber pickle, claret, mincemeat pie, filbert pudding, honey flummery, plum pudding, Madeira, coffee, walnuts.
~The Thirteen Colonies Cookbook

If you could try anything from colonial times, what fare would it be?



Wednesday, November 30, 2011

Dress, Shoes, and Stays - Oh My!





Lately I've had to make the leap in time from colonial fashion to early 19th-century fashion in the new novel I'm writing. Believe me, it's a tricky transition! Though Regency era clothing is lovely in some respects, my heart has always been at home with 18th-century fashions. My love affair with colonial dress began early. When I was a girl, my Kentucky granny sewed me a linen costume much like these above, complete with ivory apron, cap, and fichu, only my dress was burgundy. I loved it and wore it in the 1776 bicentennial parade in Lexington, Kentucky.I also had a love affair with paper dolls. Remember those McCall's magazines that had paper dolls? I awaited my mom's issues every month and cut out those costumes with glee:) When I look back now I see that I was being given inspiration even way back when. Over time I began to long for a "real" colonial gown of my own, a reproduction that would help me identify with the colonial heroines in my books. But these kinds of items are very expensive and I couldn't justify the cost. But, thankfully, the Lord often gives us the desires of our hearts in ways we least expect:) Last October I "stumbled" onto e-bay, a place I'd never been, and found a beautiful period gown. The lace on the gown I bought for a song is over 100 years old. It's made of high quality silk taffeta that rustles when you walk and truly feels like a dream. The seamstress is a colonial artist who sews period gowns for the models who are in her paintings. She was letting some of her gowns go for a very reasonable price and I happened upon this one dress right after she posted it for sale.
It didn't take long for me to discover you're only half-dressed for colonial times when you only have the dress. But stays - oh my! Almost as expensive as a gown! This photo shows "jumps" instead of stays. Anyone want to explain the difference? I'm still saving my shillings for stays.

Next item needed was a shift. I ordered this one. The feel of this linen shift is so different than cotton and gives a wonderful glimpse into the undergarments or "small clothes" people wore then. The stays go on over the shift, if you're wondering. I won't even begin to talk about pocket hoops and petticoats;)

This hat is from the Colonial Williamsburg collection and is my favorite. The needlework is exquisite, don't you think?
These complete a woman's wardrobe - clocked stockings and buckles and shoes. No, they're not mine but I can dream, can't I? All that's missing are the garters. My favorite thing about the colonial period? No underpants!

What fashion era do you like best?

Friday, September 30, 2011

Tools of the Trade: On Site Research - Visiting Valley Forge


By: Laura Frantz

This past July I had the privilege of going on tour with The Providence Forum and experiencing historic Philadelphia. Since Valley Forge isn't far, we spent a day there, too. Growing up, my vision of Valley Forge was limited to this image of George Washington praying in the snow. Legend says that a Quaker was walking in the woods and found Washington on his knees. Since Quakers hold to truthfulness as one of their tenets, I tend to believe this did happen. George Washington was a Christian, not a deist, and America's winning of the Revolutionary War was no small miracle.



Washington and his troops stayed at Valley Forge during a very brutal winter. I was here on a scorching summer's day so it was hard to imagine the cold and suffering that took place in 1777-78. This is the actual place he walked, talked, and made critical decisions that affected the course of the war. But he refused to move into this sturdy house until all his men finished building the huts that housed them first. They numbered in the thousands.

Washington's bedchamber at Valley Forge.

Martha spent the winter here also, encouraging her husband and the aides and officers surrounding him, several of whom had their wives in residence. How they all fit into this small house is a mystery but it's said they wiled the winter away together trying to make merry and even danced!

Headquarters where Washington and his aides worked daily excepting
the Sabbath.  This is the room at the back of the house on the first floor.

A desk, quill, ink and other necessities of that busy winter.

The kitchen is reached through a breezeway and isn't connected to
the main house. Notice the little oven within the hearth itself,
sometimes called a beehive, for baking bread.

The officers' quarters upstairs. Everything is displayed as if the
officers had just stepped out of the room. So lifelike!

Officer's quarters, same bedchamber, another view.
Love the Revolutionary War uniforms!

 Officers' quarters, second bedchamber at the top of the stairs.

The front room downstairs, yet another place for
conducting the business of war.

Valley Forge, though a very famous historic spot, offers a lingering lesson for today. I found it so moving to hear that this was the very place Washington thought about giving up the fight and surrendering to the British. Several close friends, including a beloved pastor, advised the general to abandon a hopeless effort to win American freedom. Though no war was waged between soldiers at Valley Forge, a fierce inward struggle transpired here. It became a battle of doubt, discouragement, and near defeat. Washington trimuphed in the end but we'll never know what he suffered during his time here. I think about it often now when I'm tempted to give up or give in to something that's troubling me.


Can you name a historic spot that is moving to you or holds a lasting lesson for us today?