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| Front gates, Strawberry Chapel |
It all started with a ghost story.
Of course, as a Christian, I don’t officially approve of ghost
stories, and this was more the explanation behind a local legend than
promulgating tall tales about the supernatural. The melodramatic story of a young girl tied to a gravestone by her vexed schoolmaster and left there overnight is still told around the Lowcountry. It's part of what
awakened my curiosity about the Charleston area, and later, my love for the more obscure bits of local
history.
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| Strawberry Chapel, side and rear |
The terrible event took place in the churchyard of Strawberry Chapel, located in rural Berkeley County, South Carolina, miles upriver from Charleston. Built in 1725, the church served as a “chapel of
ease,” providing an accessible place of worship to planters and tradesmen
downriver from St. John’s Biggin Church, where they were still required to
attend services on high holy days. With the trees cleared, Strawberry Chapel
would have overlooked the west branch of the Cooper River, but now stands nestled among oaks, screened from
the river by thick brush. The adjoining grassy field was once the site of a
flourishing trade town, named Childsbury for the English settler James Child, who granted the land and laid out
the plans for the town in 1707. A plackard states that among other things, an open-air market and
horse races were held here, back in the day. The town served as an important
point of contact between native peoples and European settlers. A ferry docked
at Strawberry Landing on the Cooper River and connected Childsbury with
Charleston.

A school was also located here, attended by Catherine Chicken, the great-granddaughter of James Child, the seven-year-old heroine of the local legend. The most trustworthy accounts tell us that, yes, at the tender
age of seven she was tied to one of the tombstones in the Strawberry Chapel churchyard
by her schoolmaster for some infraction and left until after nightfall. One of
the family’s servants discovered and rescued her, and the offending
schoolmaster was run out of town, but the story gave rise to all sorts of
embellishments and legends—one of which was that the girl died of fright and
her ghost haunts the churchyard, still.
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| Strawberry Chapel, front |
Not so, but the place has suffered under the constant stream
of ghost hunters and thrill-seeking teens. During our first visit to Strawberry
Chapel in 2006 during a family photography outing, I was shocked
to see so many signs of vandalism. Box tombs open or cracked (nothing to see
inside; the actual grave is below ground, but this is apparently a popular form
of monument in historic Southern cemeteries), broken glass littering the place,
especially around the curiously open, arched brick construction a few yards
away from the church. But as my first study in original church buildings in the
Charleston area, the place enthralled me.

The church itself is a small, white building, covered in
weathered plaster, with a shingled jerkin-head roof. (See the photos for
exactly what that means—the flattened corners at the “head” of the roof.) Like
other historic places, it just smells old, and the churchyard is graced by
crape myrtle, camellias, and several sprawling live oaks draped in Spanish moss. Walking through and reading
headstones is always a lesson in local history, to me, and in this case just
made me hungry to go search out the stories behind the names. No ghosts here,
even in the obscure corner where a miniature version of the stars-and-bars
decorated the grave of a Confederate veteran.
I later learned that the brick “cave,” pictured above, was not a crypt as we’d
originally guessed, but a place to temporarily shelter a coffin in inclement
weather. And on one visit, I discovered a
peephole in the front door of the chapel, offering a view inside. Plain,
dark wood pews and slate floors—and the sunlight slanting in through a window, bathing
the sanctuary in a pool of light. The next time, however, the peephole was boarded over.
Over the years, I've
noticed the addition of floodlights and surveillance cameras to the churchyard. Because of the worsening vandalism, the caretakers have felt the need to exclude casual visitors. Stories have surfaced
of people being asked to leave by caretakers, and a friend’s brother was actually arrested for trespassing. Another friend and I visited one day but weren’t
challenged—I hope because we were careful to treat the property with respect.

Despite its
long standing as a historic site open to the public, most informational sites
online now state that the chapel and churchyard are private
property and trespassing will not be tolerated. I'm presuming that permission could be obtained to explore the site for research.
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| Sunset on the Cooper River |
The Childsbury site, however, still welcomes visitors, offering the information kiosk next to a small parking lot and a mowed path
down to the old dock. The view there is not to be missed—a particularly lovely
section of the Cooper and its old adjoining rice fields. Off to the right,
especially at low tide, the planks marking the old Strawberry Ferry landing can
still be seen embedded in the mud.
Except for the chapel building, everything else is only a memory.
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| Playing in the field that was Childsbury |
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My thanks to the photography talents of Kimberli Buffaloe, and my daughter Breanna McNear.