When you write historical fiction, as I do, you end up researching strange things. Such as hygiene and the contemporary sanitation systems. Today we take for granted that toilets, hot and cold running water for daily bathing, and sewer systems to carry off the waste are available everywhere. But it isn’t so long ago that those conveniences weren’t available. My focus of study has been the 18th century for quite a while, so for the next few posts I’m going to delve into various aspects of hygiene and sanitation. Today we’re starting with the all-important topic of waste management.
Many cities in Europe had latrines and sewer pipes from the time of the Roman Empire. However, by the 18th century, systems to take care of human waste weren’t widely available except in the largest cities and even there they were limited. Lacking flush toilets, people availed themselves of the good old chamber pot, which would be emptied either by the individual or a servant whenever it filled up, which in the meantime naturally occasioned interesting odors. Or not so much.
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From the book Toilets of the World by Morna E. Gregory & Sian James |
Those who lived in proximity to water sources such as rivers, streams, and lakes dumped their waste into them, where it could drift downstream for someone else to deal with. But in cities and towns where waterways and cesspools weren’t close at hand, people simply emptied their chamber pots along with other wastewater from a window into the street, warning those below by hollering something like “gardy loo!”, a corruption of the French
“Gardez l’eau” or “Watch out for the water!” This is where we get the tradition of gentlemen walking on the outside of a sidewalk to prevent ladies from being splashed by noxious substances as carriages passed. Human waste joined the animal dung already in the streets, so the stench of urine and feces, not to mention their physical presence, was common. And pungent. And whenever you went for a walk you had to be careful to watch your steps. I suppose you just got used to it, but …. eeewwww!!! I grew up on a farm, and we dealt with more of it than I care to remember!

Not only were chamber pots ubiquitous, but there was also a vessel called a
bourdaloue. This was a type of chamber pot that conformed to the female form, a necessary when wearing hoops and layers of petticoats. With the help of a chambermaid women could use them while standing by lifting the petticoats out of the way. I actually found an image of a lady making use of one, but, alas, it is a bit too explicit to include here. This device was convenient to carry along when away from home or traveling. Actually, there’ve been times when I wished I had one on hand!

Bourdaloues originated in the 1700s and according to legend were named after the Jesuit priest Père Louis Bourdaloue. He preached at the court of Louis XIV, and it’s said that his sermons were so long that the ladies demanded small chamber pots convenient to use when at Mass. Other accounts maintain that Bourdoloue suffered from a disease called hypospadia and needed the vessel himself. Whatever the reason, they sure are pretty for such a mundane and intimate use. Hmm … they’d make a lovely pot for plants, don’t you think?
I’ve just received the first copies of
Refiner’s Fire, Book 6 of my American Patriot Series—wooo hoooo!!!—so I’m offering a free copy! To enter the drawing, please answer the question below about my series in a comment on this post by the end of today. Of course, if the winner hasn’t read one or more of the previous books, they can choose any of the books of the series.
QUESTION: Who is your favorite character in the series and why?
If you’re entering the drawing, please include your email addy so I can contact you to get your mailing address if you win.
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J. M. Hochstetler is the daughter of Mennonite farmers, a lifelong student of history, and an author, editor, and publisher. Her
American Patriot Series is the only comprehensive historical fiction series on the American Revolution. Book 6,
Refiner’s Fire, releases in June 2019.
Northkill, Book 1 of the
Northkill Amish Series coauthored with Bob Hostetler, won
Foreword Magazine’s 2014 Indie Book of the Year Bronze Award for historical fiction. Book 2,
The Return, received the 2017 Interviews and Reviews Silver Award for Historical Fiction and was named one of Shelf Unbound’s 2018 Notable Indie Books.
One Holy Night, a contemporary retelling of the Christmas story, was the Christian Small Publishers 2009 Book of the Year and a finalist in the Carol Award.