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Monday, July 15, 2019

John Valentine Haidt: The Preaching Painter

First Fruits, 1760, shows people of 25 nationalities, converts of Moravian missionaries, in heaven.


With my last post, we explored the German folk art fraktur, a topic that came out of research for my upcoming novel, The Witness Tree (Smitten Historical Romance, September 2019). Today I’d like to introduce you to a little-known German artist painting during Colonial times, John Valentine Haidt. 

Haidt was truly a master painter, but most of his work is only available for viewing in the Pennsylvania towns of Lititz, Nazareth, and Bethlehem.

Born in Germany in 1700, Haidt studied drawing at the Royal Academy of Arts in Berlin at the expense of the King of Prussia. Haidt’s travels to the great cities of Europe had introduced him to the highest forms of art, but in his heart, he wanted to be a minister. He joined the Moravian Church after a profound experience at a London love feast. Shortly after, he appealed to Moravian leader Count Zinzendorf to become a church-sponsored painter rather than a preacher. The count responded by requesting ten paintings.

Portrait of a Moravian Girl
In 1754, Haidt moved to Bethlehem, Pennsylvania. There he focused on paintings (30 known) and portraits (40 known) until his death in 1780. Copies of his moving depictions of the suffering and death of Christ were often taken by missionaries into the field.

The Moravians at the Springplace mission to the Cherokees documented the effect of such a painting in their diaries on Good Friday, March 27, 1812. “After the first service, the painting of the Crucifixion was shown to everyone present and the children were told, ‘See, in this manner, God’s Son suffered out of love for humans and shed all of His blood!’ They seemed completely astonished and did not speak a word. … After this service Mr. Hicks spoke especially with Brother Gambold and to his great joy expressed ... his desire for Holy Baptism.”

Represented by Hartline Literary Agency, Denise Weimer holds a journalism degree with a minor in history from Asbury University. She’s a managing editor for Smitten Historical Romance imprint of Lighthouse Publishing of the Carolinas and the author of The Georgia Gold Series, The Restoration Trilogy, and a number of novellas, including Across Three Autumns of Barbour’s Colonial Backcountry Brides Collection. A wife and mother of two daughters, she always pauses for coffee, chocolate, and old houses! Connect with Denise here:


Lamentation Over the Body of Christ, 1758

2 comments:

  1. This is very interesting! The whole idea of portrait painters traveling around to capture 'families' fascinates me. Thanks for sharing this, Denise!

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  2. Thanks, Debra! Haidt was amazingly talented but is now so little known.

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