7 Year Tea Party Winners: Susan Craft's winner of her trilogy novels - The Chamomile, Laurel, and Cassia is: Lucy Reynolds, The winner of a copy of The Backcountry Brides is: Tammy Cordery, the winner of a silver quill charm is: Kathy Maher, Choice of one of three books by Carrie Fancett Pagels in paperback: Joy Ellis, A Bouquet of Brides Collection by Pegg Thomas winner is: Becky Smith, Janet Grunst's Selah-Award winning novel, A Heart Set Free, is: Sherry Moe.

Wednesday, September 23, 2015

Making Colonial Cloth

Today is a big day in my house--I'll have my first knitting lesson at my church, along with my daughter (who has had lessons before). Being a history buff, I don't think of it as learning a new skill so much as learning an old one, and glimpsing a history long handed down from mother to daughter (my mother will be in these classes too, as it happens).

One of the things I best remember from a trip I took to a Colonial-era village is the way housewives in rural areas had to create their homespun cloth. During the Revolution, wearing homespun became a thing of pride--because true Patriots would refuse to purchase cloth imported from Europe.

Inside this historic house,

Visitors get a glimpse of the spinning process. They have a huge spinning wheel set up, called a walking wheel, great wheel, or wool wheel. These spinning wheels are usually about 5 feet in diameter--so big that you have to walk back and forth about six feet as you're spinning, hence the name. (Exercise while you work!)

 The wool ends up on a spool, which is then detached from the big wheel, and spun onto the weasel, which puts it into skeins. It takes 150 rotations to equal one skein--and because the brilliant creators of this device knew well no one was going to sit there counting to 150 all day, the weasel pops after 150 revolutions. Sound familiar? Altogether now: "Here we go round the mulberry bush, the monkey chased the weasel . . ." =)

This process would give you your yarn or thread...but then what? The loom, of course.
When European settlers first arrived in America, they brought with them hand looms of a style that had been in use since the 1300s. Plantations would have loom-houses set up where slaves produced the cloth for servant clothing, bedding, etc. In smaller households, not everyone had a loom--but there was generally one in a neighborhood, and colonials often traded goods and services to the wife who had one in return for her turning their wool into cloth for them.

(Side note--in my homeschool last year, we read a novel [aimed at kids but enjoyable for all] called Calico Bush that includes this aspect of Colonial life.)

We today often look at this laborious process and think that producing cloth was very labor intensive and difficult--a sentiment shared by many of our forebears! Hence why those who could afford to do so bought cloth imported by Europe.


Roseanna M. White pens her novels beneath her Betsy Ross flag, with her Jane Austen action figure watching over her. When not writing fiction, she’s homeschooling her two children, editing and designing, and pretending her house will clean itself. Roseanna's 10th book, The Lost Heiress, just released.


  1. Fascinating! I hope your knitting lesson went well...lol I am not sure I would have wanted the responsibility of making yarn into cloth, although the spinning interests me very much. :)

  2. Great post, Roseanna. It truly makes on appreciate the ease we enjoy of finding such a variety of fabrics.

  3. I learned to spin on a great wheel. I wish I could find one - that was affordable. It's a totally American wheel. European wheels were much smaller. They had to be to fit into the small cottages and crofts of Europe. These great wheels were mainly used outside in the south. Northern wheels were smaller and more like the European-style wheels.


Thanks for commenting, please check back for our replies!